I'll be betting an exacta box with Pioneerof the Nile, Papa Clem and I Want Revenge. I'm also playing Desert Party and Chocolate Candy across the board.
See y'all at Belmont for this year's party!
Tuesday, April 28, 2009
Wednesday, March 04, 2009
The Government
I went to the Social Security Administration today so I could file the paperwork to change my name. Somewhat surprisingly to even me, I'm adding Lynch to the end -- I mainly think Lynch is a lot easier to spell and say than my current last name. I am still going to use both indefinitely for work purposes, but how often do you get the option to have a new name for the second half of your life? Sure. Let's change it.
I wait in line for about 45 minutes downstairs, surrounded on all sides by tons of families of every color speaking a million different languages. I get upstairs to a surprisingly calm and spacious office and hand the lady at Window 14 my form. She looks me up on the computer, and then asks "When did you get your passport?" Uh, 15 years ago?? "When did you become a citizen?" Since the day I was born in Ohio. "Well, they have you here as a resident alien who is ineligible to work in the US." Uh...WHAT?? I've been working in the United States, legally as far as I know, since I was about 14.
"I need your birth certificate as proof you were born here. You have to go get it and come back." I protest, saying that this has never come up before, even when issued a Driver's License, Passport, etc. so how can this be possible. I'm also finding it somewhat ironic that nearly every other person in the SSA today seems to be from another country, at least based on their language skills, but the white girl from the Midwest who was born in the good ol' USofA gets called on the carpet for being an illegal. WTF. She calls over her supervisor. Somehow, they get it sorted it out, by selecting a different pull down box, or changing the spelling. Or something.
She hands me the form to sign saying "You're going to see something that you won't think is right." Yep. My Dad's name is listed as Chester Kowelczyk. That's not even what it was before my parents changed it from Kowalczyk in 1960. I point it out. "Yes, I told you you'd see something that was wrong. Just ignore it." I guess the lady fudged it for me by changing my Dad's original name by one letter, even though I don't know how they pulled that up, as his name had been changed legally to the shortened by the time I was born. Okay, whatever. I'm cool with that. Just so I don't have to come back again. I pick up the pen.
I sign my name. My OLD name, that is. 30+ years of signing the same name, what can you do? It's a hard habit to break. The SSA lady is cracking up. "Didn't you JUST CHANGE YOUR NAME??" Oh yeah. I'm laughing too. THAT'S what I'm here doing. But wait! I haven't even practiced signing my new name on the cover of my sunset-patterned Trapper Keeper in loopy cursive writing! I can picture it: loads of arrow-punctured hearts saying Mrs. Steve...Mr. and Mrs. Steve...Mrs. Susan ....Cripes. I forgot to ever try writing it out. She prints out a new form. I sign and hand it back to her. She looks at the signature and observes "You need to practice this more. You'll get your card in 6-8 weeks."
I came home and signed my new name about 30 times. I still need practice.
I wait in line for about 45 minutes downstairs, surrounded on all sides by tons of families of every color speaking a million different languages. I get upstairs to a surprisingly calm and spacious office and hand the lady at Window 14 my form. She looks me up on the computer, and then asks "When did you get your passport?" Uh, 15 years ago?? "When did you become a citizen?" Since the day I was born in Ohio. "Well, they have you here as a resident alien who is ineligible to work in the US." Uh...WHAT?? I've been working in the United States, legally as far as I know, since I was about 14.
"I need your birth certificate as proof you were born here. You have to go get it and come back." I protest, saying that this has never come up before, even when issued a Driver's License, Passport, etc. so how can this be possible. I'm also finding it somewhat ironic that nearly every other person in the SSA today seems to be from another country, at least based on their language skills, but the white girl from the Midwest who was born in the good ol' USofA gets called on the carpet for being an illegal. WTF. She calls over her supervisor. Somehow, they get it sorted it out, by selecting a different pull down box, or changing the spelling. Or something.
She hands me the form to sign saying "You're going to see something that you won't think is right." Yep. My Dad's name is listed as Chester Kowelczyk. That's not even what it was before my parents changed it from Kowalczyk in 1960. I point it out. "Yes, I told you you'd see something that was wrong. Just ignore it." I guess the lady fudged it for me by changing my Dad's original name by one letter, even though I don't know how they pulled that up, as his name had been changed legally to the shortened by the time I was born. Okay, whatever. I'm cool with that. Just so I don't have to come back again. I pick up the pen.
I sign my name. My OLD name, that is. 30+ years of signing the same name, what can you do? It's a hard habit to break. The SSA lady is cracking up. "Didn't you JUST CHANGE YOUR NAME??" Oh yeah. I'm laughing too. THAT'S what I'm here doing. But wait! I haven't even practiced signing my new name on the cover of my sunset-patterned Trapper Keeper in loopy cursive writing! I can picture it: loads of arrow-punctured hearts saying Mrs. Steve...Mr. and Mrs. Steve...Mrs. Susan ....Cripes. I forgot to ever try writing it out. She prints out a new form. I sign and hand it back to her. She looks at the signature and observes "You need to practice this more. You'll get your card in 6-8 weeks."
I came home and signed my new name about 30 times. I still need practice.
Saturday, February 28, 2009
Home Address
My absolute favorite thing about Google Earth is that when look up my house, Uncle George is sitting on the stoop with his 40 (on his left), checking out girls walking by with guy from next door. This shot must have been before he got ticketed by the cops. And Kate's on her lawnchair next door. How many days until summer?
Tuesday, February 24, 2009
They're Baaaack!
Like Freddy Krueger, Studio B is the venue that never goes away. andtheend was surprised the other night when I mentioned that they had never closed, with reports of their death being greatly exaggerated. A huge FOR RENT sign appeared for a few weeks on the exterior around Christmas, then had disappeared by the time we were back in early February.
I never thought they would go away completely, (that space is huge and ready to go for dancing/shows--how could it sit empty?) and only hoped we would force them to be more responsible nightlife tenants in a residential neighborhood. I mean, godforbid if even worse tenants were operating the club 7 nights a week. The devil we don't know could be something more horrible.
As of now, the sound bleed isn't nearly as loud as it was previously, and not just because my windows are closed for winter. This is a good thing. I don't know what (if anything) they did to change, but if the sound levels from inside stay down to this somewhat duller roar on a 2-night a week basis, we neighbors will all remain happier. However, this doesn't seem likely.
NY Mag reports the latest this week, and below is the text of an email I got back in early February from a booking agent friend, who kindly forwarded me what he received from the new promoters.
My simple idea is that no business in any neighborhood should negatively impact its surroundings. If there is impact at all, it should improve the area, not just take from it. I don't want to go to a club every night. Maybe that makes me old, but it a choice I am allowed to make. When Studio B is in full effect, it's as if a sound system playing inside my house. Why should that be okay in any circumstance?
People who argue that "You live in New York, get used to the noise!" or "We need better nightlife in the city!" is all fine and good; I am not against clubs or the noise of city life. However, the houses were here first, as in most cases where a new business moves in because the area becomes more desirable. I moved to Greenpoint 8 years ago exactly because it was a quiet neighborhood where I know many of my neighbors and local business owners, because it is a place where families have been raised for generations, because it was safe, and because it wasn't in the middle of nightlife city. It was inexpensive (at the time), and my neighborhood is the main reason I still love living in New York City. I can have all of the good of the city nearby while relishing a quieter place and life to come home to.
To my way of thinking, the onus is on any new business to fit into the existing neighborhood, not the other way around. Greenpointer Newyorkshitty spoke to this subject this week. Neighborhood turnover and change is constant in NYC; that is a given. Yet the change shouldn't be for the pleasure of a few and at the expense of many others' daily quality of life. The Production Lounge shooting is a perfect example of a new business bringing money into the neighborhood that doesn't add anything positive; Studio B's current plan to offer you a free drink with a taxi receipt is along these same lines.
We'll see how these "new" guys do. I truly hope they are better. I don't need or want the hassle, believe me. Even so, if that roof deck is wide open in the summer with noise projecting off the smoking area, I suspect the problems will not be over. Wonder if they have that cabaret license yet? And the all ages shows should prove interesting, too.
First let’s start with our new set up in Brooklyn :
As many of you are aware – Studio B has been open for about three years now in the Greenpoint / Williamsburgh section of Brooklyn. In the past two years they have hosted the likes of : Justice, Art Brut, The Klaxons, LCD Soundsystem, Madball, Battles, Santogold, M.I.A., Crystal Castles, Kid Sister, MSTRKRFT, The Black Kids, The Thermals, Clap Your Hands Say Yeah, The Mountain Goats, Lady Sovereign, Diplo, The Cool Kids, Chromeo, Terror, Hercules & Love Affair, The Go! Team, CSS, The Thermals, Hot Chip, El-P etc etc
The club has had a quite a few people booking the room in the past. With the venue “open” to many different promoters at one time – it caused a great deal of issues and infighting between a lot of people you may work or have worked with in nyc. In addition to the insular promoter issues there has recently been a great deal of rumors and talk about whether the club is open / shut down for good / for sale / for rent (all created by the aforementioned promoters who e-mailed every blog when they didn’t get dates they wanted etc). All of this “chatter” has greatly contributed to a perception that Studio B is no longer fully functioning. That is not true. The club is back to being fully operational and open and hired a full new management team and staff.
In January Studio B approached two long time friends to become the general managers and help them “start over”. The two general managers have begun to clean house from top to bottom - all new night managers, office people, bar managers, production people, bartenders, security guards etc. Both of the general managers have worked with us at R5 for over eight years now. The day and night managers are both former r5 staff members and close friends of 10+ years. For the first time ever, Studio B will now be run by “music” people. No more club personnel with limited or no experience with dealing with “indie” crowds, musicians / artists. Everyone working here is very experienced with live shows.
The owner has removed himself from the day to day running of the club. After less than stellar experiences with previous promoters / managers that he hired, he has now relinquished full control to allow this newly formed team to run his club. The calendar will now be controlled by a small in-house group who all have previous booking experience. For the first time at Studio B, one small group of select individuals will be handling ALL of the booking for all their upcoming calendar.
We, R5 Productions will be handling all of the live shows/concerts. For those not in the know, Studio B holds 800+ people. They have the ability to do all ages or 18+ and serve alcohol at their events. There is a full real-deal PA in there with EAW mains, Midas FOH Console and Crest VCA Monitor board - A very SERIOUS system. Starting in two weeks we are having the PA recalibrated + adding new monitors and outboard gear to further the already great stage production that exists in the venue. (A full production inventory can be provided upon request). Studio B will now be operating with the ability to be more of a serious option for live music (it was previously operating / focused on just DJ events and “parties” )
Obviously looking at the above sampling of artists who have played live shows here, Studio B is very well known and quite established in NYC. We now hope with the group of new people who take this very seriously – we all can make Stuido B even bigger. We are looking to book last minute artists and bands starting in March (or possibly February if you have something appropriate). Starting on March 1st - Studio B will begin a two month long press campaign handled w/ a hired publicist to get word out about the club’s new management. There will be weekly ads in The Village Voice and other likeminded publications as well as NYC focused blogs (Brooklynvegan etc)
With Studio B making the majority of their $$ on late night dance oriented events - we are happy to make the room available for concerts/shows at an extremely low cost. Depending on the type of crowd the 800 perosn capacity room will start at only $XXX for the evening (all staff, promotion, rent, sound, insurance etc is included). We are willing and able to make 50% to 75% deposits for the initial string of confirmed shows to ease any concern about Studio B being open “for sure”
I never thought they would go away completely, (that space is huge and ready to go for dancing/shows--how could it sit empty?) and only hoped we would force them to be more responsible nightlife tenants in a residential neighborhood. I mean, godforbid if even worse tenants were operating the club 7 nights a week. The devil we don't know could be something more horrible.
As of now, the sound bleed isn't nearly as loud as it was previously, and not just because my windows are closed for winter. This is a good thing. I don't know what (if anything) they did to change, but if the sound levels from inside stay down to this somewhat duller roar on a 2-night a week basis, we neighbors will all remain happier. However, this doesn't seem likely.
NY Mag reports the latest this week, and below is the text of an email I got back in early February from a booking agent friend, who kindly forwarded me what he received from the new promoters.
My simple idea is that no business in any neighborhood should negatively impact its surroundings. If there is impact at all, it should improve the area, not just take from it. I don't want to go to a club every night. Maybe that makes me old, but it a choice I am allowed to make. When Studio B is in full effect, it's as if a sound system playing inside my house. Why should that be okay in any circumstance?
People who argue that "You live in New York, get used to the noise!" or "We need better nightlife in the city!" is all fine and good; I am not against clubs or the noise of city life. However, the houses were here first, as in most cases where a new business moves in because the area becomes more desirable. I moved to Greenpoint 8 years ago exactly because it was a quiet neighborhood where I know many of my neighbors and local business owners, because it is a place where families have been raised for generations, because it was safe, and because it wasn't in the middle of nightlife city. It was inexpensive (at the time), and my neighborhood is the main reason I still love living in New York City. I can have all of the good of the city nearby while relishing a quieter place and life to come home to.
To my way of thinking, the onus is on any new business to fit into the existing neighborhood, not the other way around. Greenpointer Newyorkshitty spoke to this subject this week. Neighborhood turnover and change is constant in NYC; that is a given. Yet the change shouldn't be for the pleasure of a few and at the expense of many others' daily quality of life. The Production Lounge shooting is a perfect example of a new business bringing money into the neighborhood that doesn't add anything positive; Studio B's current plan to offer you a free drink with a taxi receipt is along these same lines.
We'll see how these "new" guys do. I truly hope they are better. I don't need or want the hassle, believe me. Even so, if that roof deck is wide open in the summer with noise projecting off the smoking area, I suspect the problems will not be over. Wonder if they have that cabaret license yet? And the all ages shows should prove interesting, too.
First let’s start with our new set up in Brooklyn :
As many of you are aware – Studio B has been open for about three years now in the Greenpoint / Williamsburgh section of Brooklyn. In the past two years they have hosted the likes of : Justice, Art Brut, The Klaxons, LCD Soundsystem, Madball, Battles, Santogold, M.I.A., Crystal Castles, Kid Sister, MSTRKRFT, The Black Kids, The Thermals, Clap Your Hands Say Yeah, The Mountain Goats, Lady Sovereign, Diplo, The Cool Kids, Chromeo, Terror, Hercules & Love Affair, The Go! Team, CSS, The Thermals, Hot Chip, El-P etc etc
The club has had a quite a few people booking the room in the past. With the venue “open” to many different promoters at one time – it caused a great deal of issues and infighting between a lot of people you may work or have worked with in nyc. In addition to the insular promoter issues there has recently been a great deal of rumors and talk about whether the club is open / shut down for good / for sale / for rent (all created by the aforementioned promoters who e-mailed every blog when they didn’t get dates they wanted etc). All of this “chatter” has greatly contributed to a perception that Studio B is no longer fully functioning. That is not true. The club is back to being fully operational and open and hired a full new management team and staff.
In January Studio B approached two long time friends to become the general managers and help them “start over”. The two general managers have begun to clean house from top to bottom - all new night managers, office people, bar managers, production people, bartenders, security guards etc. Both of the general managers have worked with us at R5 for over eight years now. The day and night managers are both former r5 staff members and close friends of 10+ years. For the first time ever, Studio B will now be run by “music” people. No more club personnel with limited or no experience with dealing with “indie” crowds, musicians / artists. Everyone working here is very experienced with live shows.
The owner has removed himself from the day to day running of the club. After less than stellar experiences with previous promoters / managers that he hired, he has now relinquished full control to allow this newly formed team to run his club. The calendar will now be controlled by a small in-house group who all have previous booking experience. For the first time at Studio B, one small group of select individuals will be handling ALL of the booking for all their upcoming calendar.
We, R5 Productions will be handling all of the live shows/concerts. For those not in the know, Studio B holds 800+ people. They have the ability to do all ages or 18+ and serve alcohol at their events. There is a full real-deal PA in there with EAW mains, Midas FOH Console and Crest VCA Monitor board - A very SERIOUS system. Starting in two weeks we are having the PA recalibrated + adding new monitors and outboard gear to further the already great stage production that exists in the venue. (A full production inventory can be provided upon request). Studio B will now be operating with the ability to be more of a serious option for live music (it was previously operating / focused on just DJ events and “parties” )
Obviously looking at the above sampling of artists who have played live shows here, Studio B is very well known and quite established in NYC. We now hope with the group of new people who take this very seriously – we all can make Stuido B even bigger. We are looking to book last minute artists and bands starting in March (or possibly February if you have something appropriate). Starting on March 1st - Studio B will begin a two month long press campaign handled w/ a hired publicist to get word out about the club’s new management. There will be weekly ads in The Village Voice and other likeminded publications as well as NYC focused blogs (Brooklynvegan etc)
With Studio B making the majority of their $$ on late night dance oriented events - we are happy to make the room available for concerts/shows at an extremely low cost. Depending on the type of crowd the 800 perosn capacity room will start at only $XXX for the evening (all staff, promotion, rent, sound, insurance etc is included). We are willing and able to make 50% to 75% deposits for the initial string of confirmed shows to ease any concern about Studio B being open “for sure”
Monday, February 16, 2009
Wedding Pix
I got around to editing down the photos, and they are now posted on my Flickr page. Best viewed in order from 1-210 for the exciting story of our wedding day...
Wednesday, February 11, 2009
Printer's Devil
Clearly, I am a printing dork as I found the definition of that term above to be fascinating. I've never heard the term used at a printing plant, although I am going to use it in as much conversation as possible when working tomorrow.
Wednesday, January 28, 2009
On Your Wedding Day
SL and I up and got married on January 26th, 2009 in Thailand, on the first day of the Chinese New Year of the Ox. Here we are on Bottle Beach on the island of Ko Phangan with the most gorgeous wedding day we could have hoped for. Many more photos to come when we are home...
Saturday, January 10, 2009
Extended Break
Postings will be light (or non-existent, apparently) for the next month. SL and I are going back to Thailand from Jan 15th to Feb 5th for our 2009 edition of "Running Away from the Cold." Meanwhile, holidays, actual work, a corneal ulcer that is severely bumming me out, and travel logistics have taken over, but I'll be back in February with a whole new look and name.
Friday, December 19, 2008
Gone Away, Come Back: Mickey Rourke
I've always loved Mickey Rourke, even as he became a huge freak seemingly bent on destroying his acting career. There was always something about him onscreen that made him the center of any scene, even when the movie flat out sucked. Check out this great and thorough article by Shelia O'Malley on his 25-yr career on The House Next Door. O'Malley on his latest film, The Wrestler:
It is a great performance, one that I am still processing and thinking about. I am not sure where Mickey Rourke fits in now. He "fit in" when he was young because he made it to the Alpha-Dog position of male Hollywood stars, and was gorgeous and sexy. He can no longer rely on those things. He must rely on something else that is much more permanent: his talent. He needs to choose wisely, and the problem still remains that it is difficult to cast Rourke properly, even more so now.I can't wait to see the Wrestler.
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